How does new media affect creativity?

I finished my Age of Conversation article. It’s titled “The Creative Multiplier,” and is about how new media can change creatives’ perspective on creativity and influence.

And yes, somewhere along the way the advertising industry totally nouned the word “creative.”

In order to get my mind right and have some conversation on the topic, I asked several good friends the following question:

New media has democratized large-scale expression. Because there is now access to tools (like iMovie, GarageBand, digital cameras) and distribution (creating a podcast is free, blogging, youtube, etc), more people can be “writers,” “designers,” “film producers” than ever before.

How do you think this affects creativity, in practice and in perception – both as a job and as a lifestyle and a hobby?

The responses varied a good bit, but were all insightful. Here are some favorites:

Doug Williams from Trabian -

It’s smashed distribution channels and smashed production barriers. So, it’s created kind of an anarchy of creativity. It’s good in the sense that creative people can have their voices heard on the exact same platform successful creatives can have their voices heard.

For some it’s good, for some, they’re just rehashing fart jokes.

The downside is that those barriers held within them revenue streams and profits that allowed companies to assume the risk in developing truly talented individuals.

It also helped filter out the good from the bad – of course, some really good things got filtered out…and the “mainstreaming” of creativity was a downfall to that system. So…in a sense, it’s empowered creatives.

However, it’s removed a fundamental distribution channel designed (although it can be debated how effectively it worked) to reward creative people, put them in front of thousands of people, and to invest in them.

Ches Campbell from SWA Group -

I think the more access we have, the more creativity can take place. Without the tools to do things, we can’t create……the best example for me would be digital cameras and photoshop. I can do all the photo imaging I want on my own in my house, or at a coffee shop or anywhere without having to own a bunch of equipment or going to a studio somewhere. Same with other forms of digital media.

It inspires me to actually go for it and do somethign instead thinking “I should do this,” because I actually have the means to do things

Charlie Trotter from Trabian:

One interesting side-effect I’ve experienced lately is how that affects people who make their living being creative. I can jump on Vimeo or Flickr or LOLZIES! and post my latest fit of creativity to rave reviews. They are pieces I feel good about, am proud of, etc.

When people do those kinds of things for fun, I think we get some really interesting, organic pieces of creative work. But when I try to bring that energy into my professional work, it’s more challenging because now I’m trying to please several different people with several different subjective views.

I wonder how this generation will react to professional pursuits having grown up with the creative enabling social media offers, because many of them will have spent so much time creatively only answering to themselves.

Brad Garland from The Garland Group -

From a business perspective, it allows the small businesses of the world (AKA the mom and pop’s) to compete on a level playing field with any other company, no matter the marketing budget. SmBs have the ability to promote themselves and share and connect with other that they once couldn’t afford before.

For example, our company is essentially created a television station for viewers of the financial services world. Yes, it wouldn’t show up on the top 1000 channels on your cable box but we are able to connect, network, and share with those that are interested in that field. We’ve had over 22K views of our content over the last 3 months and because of that content, it has turned into magazine articles, speaking engagements, consultant jobs, and connecting with people that we would not had the opportunity before.

Cheryl Doerksen from Currency Marketing -

Well on one hand I think that it definitely serves to encourage and stimulate creativity. With such easy access and easy to use tools, people are able to work on their own little projects without feeling the often creativity-constraining pressure of the cost factor. On the other hand one could argue that it begins to dilute creativity because people start to put everything up as ‘creations’ that may or may not have originally been dubbed as something born out of creativity as much as boredom.

As a job I think that more and more people are (or should be) being encouraged to exercise their creativity and access to these things enables that movement and increasing prioritization of the importance of expressing and fostering creativity.

Chad Gowan from All Speeds -

I think it opens up a lot of doors to dabble, maybe effects ones focus on what they really excel in. But another perspective could be that it doesn’t limit people from finding that one niche or the creative outlet that makes them all fuzzy inside.

Daniel Miller from The Leet World -

It sets the talented people apart, content is king. If your content is good, the theory is that it should rise to the top. Thats not always the case (unfortunately), thats what the internet brings to the table.

The flip side to the coin is while making content is cheap, and its a great creative outlet, its hard to get noticed by someone who wants to pay you for your intellectual property. Its like finding a needle in a haystack the size of the Pacific Ocean. And i think alot of people want to say that creating something is a reward in itself.

When you have to work a day job for 9 hours a day, then go home and do a hobby for free it starts to wear on you. It’s a double edged sword.
/end rant

Carter Martin from CM Design -

  • Competition is now in theory infinite
  • There’s no excuse not to try
  • The cream continues to rise to the top, no one is ignorant / ambitious enough to keep cracking away at creative things unless there is some form of audience or they’re making a living off of it.
  • Most creativity is spawned from within, but its continuation is for the most part based on the positive or negative reaction of others. Any reaction is reason to continue, but silence kills the spirit.

Thanks to everyone I talked to for your perspectives. I feel lucky and thankful to have smart friends.

Care to weigh in?

Facebook & MySpace crack things open with data portability

Over the past couple of days, both MySpace and Facebook have launched individual answers to the issue of data portability - the idea that your data from any given online service (from your profiles to your online photos to your Gmail acount) belongs to you and not the service.

On Thursday, MySpace (the shadier of the two) launched the MySpace Data Availability project. The New York Times breaks it down like this:

The new MySpace Data Availability project is its first in a series of initiatives by the company to support data portability, allowing users to take the content they create in one network and easily add it to other sites, MySpace said. Until now, social networking sites like MySpace have favored the “walled garden” approach, where they essentially lock their users into their own site.

MySpace said that it has signed agreements with Yahoo, eBay, Photobucket and Twitter to participate in the project. Over the next several weeks, MySpace users will be able to add their MySpace data to those sites with the click of a button, noted Chris DeWolfe, CEO and cofounder of MySpace.

Today, Facebook (the classier of the two) announced “Facebook Connect,” the next step in the Facebook Platform. Like MySpace’s project, Facebook Connect lets you take and use your Facebook info with you across the web. Their blog post from earlier today explains some specific features:

Trusted Authentication
Users will be able to connect their Facebook account with any partner website using a trusted authentication method. Whether at login, or anywhere else a developer would like to add social context, the user will be able to authenticate and connect their account in a trusted environment. The user will have total control of the permissions granted.

Real Identity
Facebook users represent themselves with their real names and real identities. With Facebook Connect, users can bring their real identity information with them wherever they go on the Web, including: basic profile information, profile picture, name, friends, photos, events, groups, and more.

Friends Access
Users count on Facebook to stay connected to their friends and family. With Facebook Connect, users can take their friends with them wherever they go on the Web. Developers will be able to add rich social context to their websites. Developers will even be able to dynamically show which of their Facebook friends already have accounts on their sites.

Dynamic Privacy
As a user moves around the open Web, their privacy settings will follow, ensuring that users’ information and privacy rules are always up-to-date. For example, if a user changes their profile picture, or removes a friend connection, this will be automatically updated in the external website.

While your data is still essentially owned by the network, these steps to make it easier to distribute and use are significant. Even with all of the awesomeness that comes with Web 2.0, it’s still been a complete scatter-brained beatdown keeping up with each individual online service because they couldn’t interact with each other.

But now, it looks like social apps are ready to be social with each other. That’s very sweet of them.

Proof we are in the future: Video in 360°

Please click here to view/interact with moving video taken in 360 degrees at once. It’s all the coolness of Google Street View times a thousand.

(via Critical Mass on Twitter)

Why Twitter?

A lot of friends have asked me about Twitter - What is it? Why get on it? Are you really that narcissistic? My explanations always fall short of what I’m really trying to communicate and have experienced.

Thankfully, the brilliant minds at Common Craft have, as usual, explained it much better than I could ever hope to with “Twitter in Plain English:”

Hope that clears things up.

Ode to Auto-Tune

Back in the day, if you couldn’t sing on pitch you probably wouldn’t make it as a professional vocalist. But that was then. Today we live in a future of Poop-Freeze, the Hollywood Cookie Diet, and Auto-Tune.

Since 1997, Auto-Tune has been correcting pitch so musicians no longer have to. The side effect is a vaguely (or less vaguely, depending on the artist) robotic vocal sound (think K-Ci and JoJo’s “All My Life,” or Cher’s “Believe”).

Audio engineering blog Hometracked published a list of 10 great examples of Auto-Tune abuse in pop songs, including:

  • Uncle Kracker - Follow Me
  • Maroon 5 - She Will Be Loved
  • Rascal Flatts - Life is a Highway

Below is my take, set to some light music, on the issue of Auto-Tune. I hope you enjoy it:

[odeo 17766803]

GumGum’s newfangled content licensing model

GumGum, a new way to license digital media, launched a couple of days ago:

Offline, content is licensed for a finite period of time to a predictable audience. Online, content lives forever and usage is unknown. This raises the question: How do you fairly monetize a license when circulation is unpredictable? GumGum distributes, tracks and monetizes every view a piece of content receives online. (gumgum.com)

GumGum’s licensing model makes money with CPM or ad revenue. It works like this:

[youtube=http://www.youtube.com/watch?v=Znx_VWFrHi0]

Licensing is only available for images right now, but they have plans up their sleeve for audio, video, and text. Read a more in-depth analysis on TechCrunch here.

Rejected pun-laden post title: “Will GumGum stick?”

(via fluidesign_blog)

Yahoo’s oneConnect cures what fragments you

One of the more frustrating things about social media services is how disjointed they are. You have to juggle different groups of friends, scattered bits of functionality, and scores of logins (although the login situation is improving) for each service. For example, half of my Twitter friends just jumped ship to another service. So what should I do? Sometimes it all makes me crazy.

So I was happy to read on TechCrunch about oneConnect, Yahoo’s new catch-all mobile tool for keeping up with your friends’ joneses across services:

OneConnect will pull together contacts from your mobile phone, Yahoo address book, and social networks, including:

Bebo, Dopplr, Facebook, Flickr, Friendster, Hi5, Last.fm, LinkedIn, Myspace, Twitter

You will be able to see whether your contacts are online, recent messages, status updates, uploaded photos, and other activity streams for each one. Of course, you will also be able to send them messages via e-mail, IM, and SMS.

From OpenID to Facebook’s Platform to OpenSocial, hopefully this is another slice of a larger trend toward making all this jazz much simpler.

Google is “weeks away” from launching free music in China

Just caught this post from hypebot:

Google is reportedly just weeks away from announcing a free music service in China with the help of Top100.cn. The move helps Google compete with China’s top search engine Biadu who allows searches of pirated downloads that Google blocks.

Beijing based Top100.cn already has deals with Universal Music and a hundred other foreign and domestic labels to sell licensed downloads for 1 yuan (14 cents). Now working with Google, they will offer free watermarked mp3’s paired with value added services like links to concert dates and ringtones.

The article goes on to say that it’s estimated that 90% of music in China is pirated, so it’s a nice snapshot of where we’re heading. It’s also an ideal place to try a music model that competes with illegal P2P networks.

One significant difference in Google’s plan vs less-than-successful (perhaps an understatement) attempts by like SpiralFrog and Qtrex is that while the latter is ad-supported, the former is added-value supported.

Google’s success has always been in being tricky - providing some valuable service while sneakily slipping in their own ends. But I’m cool with that.

Finovation

I wish I could go to this year’s FinovateStartup, but I’m too poor. Finovate and FinovateStartup are conferences put on by technology + finance guru Jim Bruene of Netbanker.

Startups demoing their products include: Andera, Boulevard R., Buxfer, Motley Fool CAPS, ClairMail, Credit Karma, First ROI, Jwaala, Lending Club, Mint, Prosper, SmartHippo, Unified Money, and the rockstars from Wesabe (see how big a fan I am of Wesabe here).

It’s a stockpile of some of the coolest things to happen to money since the invention of “buying stuff.”

Check out videos from last year’s Finovate here.

Update ( 2/2/08): Thanks to Jim Bruene’s good heart, it looks like I may be heading up there after all to cover the conference on Open Source CU. You rock, Jim.

Proof we are in the future: The 3D printer

My buddy Zach is studying architecture at the University of Texas, Arlington. Last night he told me their department has a new printer that prints up their renderings as 3D models. Unbelievable.

Here’s a video demoing a 3D printer developed by ThingLab in London:

Not only does this have large implications for design and prototyping, this could really take the Knick-Knack Industry by storm.

Next,

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