A worldwide, hardbound conversation for the kids (also available in paperback)

Lots of months ago I - along with 237 other writers from 15 countries - contributed an essay to the book “Age of Conversation 2″. Since then, I’ve been squirming in my chair like a hyperactive five-year old waiting for it come come out. Well! This week it’s here, and is available for purchase at Lulu.com.

Here’s Lulu’s description of what we made:

This book is a daring challenge to the business community. Gone are the top-down, command and control messages that held sway through the 20th Century. In are a raft of new techniques that start with listening, responding and action that set the scene for a continuing and evolving dialog about brands, experience, business and community.

Like the first Age of Conversation, all proceeds go to Variety Children’s Charity. So when you buy, you’re also doing a good thing.

Enormous props to Drew McLellan and Gavin Heaton for orchestrating this whole thing and putting up with all of our nonsense.

Here’s a list of every author you can expect to love in the latest AofC:

A Adrian Ho, Aki Spicer, Alex Henault, Amy Jussel, Andrew Odom, Andy Nulman, Andy Sernovitz, Andy Whitlock, Angela Maiers, Ann Handley, Anna Farmery, Armando Alves, Arun Rajagopal, Asi Sharabi

B Becky Carroll, Becky McCray, Bernie Scheffler, Bill Gammell, Bob LeDrew, Brad Shorr, Brandon Murphy, Branislav Peric, Brent Dixon, Brett Macfarlane, Brian Reich

C C.C. Chapman, Cam Beck, Casper Willer, Cathleen Rittereiser, Cathryn Hrudicka, Cedric Giorgi, Charles Sipe, Chris Kieff, Chris Cree, Chris Wilson, Christina Kerley (CK), C.B. Whittemore, Chris Brown, Connie Bensen, Connie Reece, Corentin Monot, Craig Wilson

D Daniel Honigman, Dan Schawbel, Dan Sitter, Daria Radota Rasmussen, Darren Herman, Dave Davison, David Armano, David Berkowitz, David Koopmans, David Meerman Scott, David Petherick, David Reich, David Weinfeld, David Zinger, Deanna Gernert, Deborah Brown, Dennis Price, Derrick Kwa, Dino Demopoulos, Doug Haslam, Doug Meacham, Doug Mitchell, Douglas Hanna, Douglas Karr, Drew McLellan, Duane Brown, Dustin Jacobsen, Dylan Viner

E Ed Brenegar, Ed Cotton, Efrain Mendicuti, Ellen Weber, Eric Peterson, Eric Nehrlich, Ernie Mosteller

F Faris Yakob, Fernanda Romano, Francis Anderson

G G Kofi Annan, Gareth Kay, Gary Cohen, Gaurav Mishra, Gavin Heaton, Geert Desager, George Jenkins, G.L. Hoffman, Gianandrea Facchini, Gordon Whitehead, Greg Verdino, Gretel Going & Kathryn Fleming

H Hillel Cooperman, Hugh Weber

J J. Erik Potter, James Gordon-Macintosh, Jamey Shiels, Jasmin Tragas, Jason Oke, Jay Ehret, Jeanne Dininni, Jeff De Cagna, Jeff Gwynne & Todd Cabral, Jeff Noble, Jeff Wallace, Jennifer Warwick, Jenny Meade, Jeremy Fuksa, Jeremy Heilpern, Jeroen Verkroost, Jessica Hagy, Joanna Young, Joe Pulizzi, John Herrington, John Moore, John Rosen, John Todor, Jon Burg, Jon Swanson, Jonathan Trenn, Jordan Behan, Julie Fleischer, Justin Foster

K Karl Turley, Kate Trgovac, Katie Chatfield, Katie Konrath, Kenny Lauer, Keri Willenborg, Kevin Jessop, Kristin Gorski

L Lewis Green, Lois Kelly, Lori Magno, Louise Manning, Luc Debaisieux

M Mario Vellandi, Mark Blair, Mark Earls, Mark Goren, Mark Hancock, Mark Lewis, Mark McGuinness, Matt Dickman, Matt J. McDonald, Matt Moore, Michael Karnjanaprakorn, Michelle Lamar, Mike Arauz, Mike McAllen, Mike Sansone, Mitch Joel

N Neil Perkin, Nettie Hartsock, Nick Rice

O Oleksandr Skorokhod, Ozgur Alaz

P Paul Chaney, Paul Hebert, Paul Isakson, Paul McEnany, Paul Tedesco, Paul Williams, Pet Campbell, Pete Deutschman, Peter Corbett, Phil Gerbyshak, Phil Lewis, Phil Soden, Piet Wulleman

R Rachel Steiner, Reginald Adkins, Richard Huntington, Rishi Desai, Robert Hruzek, Roberta Rosenberg, Robyn McMaster, Roger von Oech, Rohit Bhargava, Ron Shevlin, Ryan Barrett, Ryan Karpeles, Ryan Rasmussen

S Sam Huleatt, Sandy Renshaw, Scott Goodson, Scott Monty, Scott Townsend, Scott White, Sean Howard, Sean Scott, Seni Thomas, Seth Gaffney, Shama Hyder, Sheila Scarborough, Sheryl Steadman, Simon Payn, Sonia Simone, Spike Jones, Sreeraj Menon, Stanley Johnson, Stephen Collins, Stephen Landau, Stephen Smith, Steve Bannister, Steve Hardy, Steve Portigal, Steve Roesler, Steven Verbruggen, Steve Woodruff, Sue Edworthy, Susan Bird, Susan Gunelius, Susan Heywood

T Tammy Lenski, Terrell Meek, Thomas Clifford, Thomas Knoll, Tim Brunelle, Tim Connor, Tim Jackson, Tim Mannveille, Tim Tyler, Timothy Johnson, Tinu Abayomi-Paul, Toby Bloomberg, Todd Andrlik, Troy Rutter, Troy Worman

U Uwe Hook

V Valeria Maltoni, Vandana Ahuja, Vanessa DiMauro, Veronique Rabuteau

W Wayne Buckhanan, William Azaroff

Y Yves Van Landeghem

Ocean boiling

Something I’ve come to realize, but have a hard time wrapping my actions around, is the hardest part about doing a thing of significance is the mental pendulum leading up to that decision. The back and forth, second guessing, and “what-ifs.”

Making the decision - doing it - is easy. You make the call and you operate.

I wouldn’t mind carrying a midget around that constantly reminded: “It’s simpler than you think.”

Shiny and new: step one of several

Last night (bleeding into early this morning) I made some big fat changes to my site. What do you think?

I’m really excited about the new banner, because it gives me a legitimate excuse to doodle now. Hopefully I’ll be switching out new sketches every few weeks or so.

After many requests, I’ve finally added a portfolio (albeit a miniature one) directly to the site. Click it! Fun things happen.

As the title mentions, this new design is a first step. Over the long haul, as time allows, I’ll jazz up the site’s design below the navigation to be just as organic and hand-drawn as the banner. Right now I feel like there’s a slight disconnect. But I’d rather launch now than wait until it’s perfect. It’ll never be perfect, you know.

There’s also lots of content to beef up - including adding more design and commentary to the little portfolio on the right.

My goals with the site are twofold:

  1. To be a place for good conversation, and
  2. To showcase my design business. Since leaving Trabian in April to go independent, I’ve relied on handshakes, cups of coffee, and pints of beer to be my business cards and marketing. It’s worked well enough so far - I’ve been able to eat at least one whole packet of Ramen a day - but this will help.

Speaking of that, I have a couple of posts in the cannon about kicking off a small business. It’s been a ride. I have a lot of questions for some of you.

So that’s that. As always, I covet your feedback and comments.

Max-o-matic

I’m completely enthralled by the work of Barcelona-based graphic designer Máximo Tuja, aka max-o-matic.

(via we-make-money-not-art’s review of “ESC: Enter Spanish Creativity“)

Design, Build, Subvert

A few months ago, in a conversation about the role of design, my friend and co-worker Brandon Ferguson laid it out like this:

[Designers are] both working to build and for the system, and simultaneously subverting it. They’re the mouth pieces, and the destroyers.

I kind of love that. So much potential in the artful communication of messages.

And that’s why we love Brandon.

The Fast Company social network

Fast Company, a business magazine with a heavy lean towards design and innovation (and a personal favorite of mine), has relaunched their website as a social network. Edward Sussman, President of Mansueto Digital, says this about the new FastCompany.com:

Starting today, we become the first major media website to tackle the following problem: Can a business publication blend journalism and online community to create something better than either by itself?

We think so. If done right.

For a publication who’s brand is ideas, I love this. Users who join the network can blog and comment, “befriend” other users, post videos, or even suggest questions to Fast Company. In opting to play equal parts mouth and mouthpiece, the new site is a big, fat, fascinating conversation. I’m looking forward to seeing how the user-generated commentary is used in the the printed magazine.

Conversations in motion include:

Join the conversation by creating a profile here. And if you want, add me as a friend.

I moved my portfolio to Carbonmade

So I lied. I moved my portfolio from Coroflot over to Carbonmade. Check it out here:

» Design by Brent Dixon

Why’d I switch? Because Carbonmade…

  • …is a much simpler presentation. In viewing designs, context is important. Coroflot’s busy-ness distracted from the actual design work. My Carbonmade portfolio is unbranded and the only strong design elements are found in the work.
  • …is faster. Coroflot kept locking up and taking for-doggone-ever to load my images. Because of my self-diagnosed A.D.D, this stressed me out.
  • …allows you to install Google Analytics on your portfolio. Coroflot had some built in stat tools, but nothing like Google Analytics. Instead of trying to reinvent the wheel, Carbonmade just opened themselves up to an awesome tool that already existed. Good call.

What do I miss?

  • Coroflot’s navigation is better. It’s much easier to hop from section to section (Web vs. Print, etc) in Coroflot’s interface.
  •  I wish Carbonmade had some heirarchy built into the blurbs associated with each design. As in “Title” and “Description,” that’s it. Right now all of my text is slapped in one place, and can’t be formatted. It’s not very scannable, and just looks messy.
  • Coroflot lets you customize icons for each design, and that was nice.

There’s a list of several more design portfolio hosts on Listible.com.

My design portfolio

I’ve been slowly but surely adding some samples of my design and art direction work to my online portfolio.

One internal debate I tossed around was whether to develop a custom portfolio design or use an existing tool. In the name of expediency (big word! two points!) I decided to host my portfolio with Coroflot. It’s a free tool, and if you’re job hunting also hooks you up with job listings and a place to add your resume. The interface is very simple to use. So far I’ve been happy with the decision.

They also let you create a badge, which I sadly haven’t gotten to work in Wordpress. But the badge would look like this:

Coroflot Badge

Hope you dig the work. I’ll be adding more and more pieces as time allows.

Limits are possibilities

At BarCampBank I confessed that blogging stresses me out a little bit. There’s always so much going on, so much to say, so many ideas that it can be overwhelming to sit down and tackle any one of them with clarity.

I was feeling this yesterday – I knew I wanted to write a post, but wading through the potential topics was, as they say, like drinking from a fire hose. So I gave up, grabbing a book to distract myself. I’m reading Chip Kidd’s novel “The Cheese Monkeys.” Here’s what I read:

“Always remember: Limits are possibilities. That sounds like Orwell, I know. It’s not – it’s Patton. Formal restrictions, contrary to what you might think, free you up by allowing you to concentrate on purer ideas.

As graphic designers you want the world as your palette. But beware: You can be crippled by too many choices, especially if you don’t know what your goals are.”

One of the most difficult but important challenges in creative work – whether it’s writing, design, media strategy, product innovation, or gardening – is narrowing the focus and creating self-imposed limitations.

In visual design, using a pen and paper before you even think about touching a computer is key. Photoshop has so many bells and whistles, it’s easy to get caught up in the ancillary aesthetics before working out the concept. Make sure your house has a foundation before you hang up curtains.

In our web design process, we limit ourselves and the client by starting each design with a site wireframe (for example: Filene’s initial wireframe). It is unimpressive to look at (a common client reaction is “What’s with all the grey boxes?”), but crucial because it is the underpinning of the entire design. This step forces everyone involved to focus on information architecture and usability before we worry about the pretties.

By the same token…

Social marketers: Think focused, initiated communities over huge vanilla communities.

Podcasters: Develop each episode around a predefined template (ex: intro, topic, break with contact info, topic, exit) to help keep it organized and easy to produce.

Web application designers: Build less. Limit features to only what is necessary.

Gardeners: I dunno. Good luck.

Where’s the “Wow Factor?”

This question recently came up in a conversation about a credit union website. So my simple question, in reply, is this:What if instead of looking for zany animations, a website that plays rock music, or any other of the latest hippest coolest fads…what if the “wow factor” was that your credit union’s site was accessible and easy to use?

If you’re designing a site, or managing the process, ask yourself why your users are coming to your site. Make that experience as close to perfection as possible. Businesses who pay a mind to solid user-experience – scannable content, attractive design that looks consistent across browsers, simple navigation, copywriting that sounds like a human – these are the Wow Factor.

And here’s another question that tends to come up in tandem with the former: “What do young people want in a web site?” As a young person, I can say this: We are impatient. We want what we want, and we want it now. We do not want to have to wade through all the fluff that you think is “neat” to get to the bottomline.

I hereby rename the traditional “Wow Factor” the “Neat Factor.” Because that’s what happens, users will say “oh that’s neat,” and then go back to wanting your site to just work right, please.

Next,

I design things.

Here's some stuff I've made. I hope you love it. If you're interested in working together, drop me a line and we'll chat.